As
the Air France charter Boeing 707-328 taxied from the terminal at Orly
Airport in Paris, France the crew began its pre-flight check. The Air
France jet known at "Chateau de Sully" had been chartered for a long
haul flight back to the Gateway City after the highly successful tour of
the Atlanta Art Association. On board were 122 passengers and a 10
member flight crew.
A Boeing 707
Ivan Allen, who had only recently become mayor, officially said goodbye
to 106 art patrons in early May, 1962. He did not know it, but he was
saying goodbye to these "lifelong friends" for the last time. For nearly
a month the cream of Atlanta society paid homage to the beautiful art of
Europe. Culmination of the Art Association Paris tour was a visit to the
Louvre, where the group saw paintings by Rembrandt, Raphael, da Vinci,
and an icon of American art -- "Whistler's Mother." From Paris they
journeyed to the Old World art centres that had long made Europe an
American tourist destination. It had been a good trip -- much
significant artwork, antiques and artefacts had been purchased, mostly
for the private collections of the individuals or as gifts for friends.
Orly Airport as it appeared in 1962
They returned to Paris from Rome on June 2, heading for famous Orly
Airport south of the city along the River Seine on the following day for
a late morning meal and then departure. The plane would fly from Paris
to New York's Idlewild Airport (it was later renamed to JFK
International), then on to Atlanta.
As the
pilot began his take-off roll down Runway 8, he maintained the runway
centre without a problem. At roughly 6000 feet (1800 meters), the plane
began lift-off. It was at this point that the pilot realized something
was wrong. According to witnesses, the nose of the aircraft rose from
the runway, but the body of the jet remained on the ground. Unknown to
the pilot at the time a motor that controlled the trim failed: there was
no choice but to abort take-off.
One goal
in this type of situation is to maintain the aircraft on the paved
runway. Unfortunately, most of the 10,700 foot runway 8 had been
expended as the 10, 000 pound thrust Pratt and Whitney engines powered
up for take-off. The Chateau de Sully would have to come to a stop in
less than 3000 feet.
Immediately, the pilot tried to lower the speed through braking. The
tires evaporated as he began to raise his flaps to decrease his speed
(braking by itself would not have stopped the aircraft). The plane
angled slightly to the left but skill kept the hurtling aircraft on
runway. Then came a harder move to the left as the Boeing jet approached
the edge of the pavement. The plane twisted right as the struggling
pilot tried to gain control of the aircraft, possibly attempting a
manoeuvre know as a "ground loop" during the rapid deceleration.
After the
tires were gone, the bare metal rims gouged deep ruts into the tarmac.
Finally the heavy gauge steel could no longer stand the stress and they,
too collapsed. About this time the 707 crossed into a grassy field at
the end of the runway. The plane bounced on the uneven ground as the
pilot continued his battle to control the aircraft. 300 feet after the
plane left the runway its left undercarriage broke off and fell to the
ground.
Still, an
open field lay in front of the pilot, and there might be a chance he
could avoid both the substantial landing lights and the small stone
cottage that lay between the aircraft and the River Seine, if he was
lucky. But time had run out. As the plane crossed the access road that
formed the perimeter of Orly Airport, the number 2 engine (on the left
side) broke into flames. Jarring blows from the uneven ground loosened
the engine, which dragged the plane to the left, into the landing lights
the pilot had tried to avoid. Down went the engine followed by what
remained of the landing gear, bursting into flames as the aircraft began
to disintegrate.
At the
point where the land begins a steep decline to the Seine the only major
piece still intact was the fuselage, the part holding the passengers and
flight crew. Down the slope it sped towards the Seine, striking the
empty stone cottage. The fuselage was consumed in a fireball, breaking
into pieces.
Of the
132 people on-board the Chateau de Sully, 129 died immediately. Two
stewardesses lives were spared: they were in their seats in the tail
section, which broke off before the plane struck the cottage, and walked
away from the crash. A third stewardess, who had also been in the tail
section died shortly after being rescued. Only the mid-air 1960 crash of
a TWA Constellation and a United DC-8 over New York City had taken more
lives (134)
Atlanta
struggled to deal with the loss. Life came to a standstill as the
Gateway City mourned its dead. The suits resulting from the accident
were adjudicated in the U. S. Court system and represented the largest
settlement from a single accident at the time. From the ashes of the
Chateau de Sully rose a lasting memorial to the men and women who died
on the aircraft. The people of the city of Atlanta gave the Woodruff
Arts Centre in memory of their fallen comrades.