Wrong
on both counts!
Walk in
the door of Bill and Judy
Zivko's company, Zivko
Aeronautics, Inc, on
Guthrie Municipal
northeast of Oklahoma City
and you find yourself
standing in the middle of
what made America great in
the first place; The small
business entrepreneur who
is showing up the big guys
by doing more with less.
By combining common sense
with elbow grease and
applying high tech where
it does the most good,
they are forging
themselves into the type
of company that is bound
to survive the 90's while
many larger, better funded
companies may not. They
are a small specialty
house that produces not
only the newest, hottest
aerobatic monoplane in the
business, but have
developed a composite
capability that is
increasingly being called
on by aerospace
corporations to do the
prototype work they can't
do themselves
economically.
Bill
Zivko is an excellent
study in how sport
aviation technical
fall-out is reaching past
EAA-oriented markets to
effect other parts of the
economy, as well.
Bill is
often mistaken as being
extremely quite. Maybe
even a little shy. But
what people don't realize
is that he isn't just
being quiet. He is
listening. He is soaking
up what's around him and
learning. If he has one
characteristic, that's
probably the dominate one.
He always appears to be
learning.
Some
time in the late 1960's
Bill decided working for a
Wisconsin FBO wasn't
taking him where he wanted
to go. An AI, he didn't
want to look down the road
at his future and see an
endless string of annual
inspections with an
occasional radio
installation here and
there. He wanted something
with more excitement and
colour.
He
found it in Newton, Kansas
with a guy named Jim Bede.
At that time Bede was up
to his neck in the famous
BD-5 project and Zivko
lent his talented hand in
building up the mini-jets.
The BD-5J. Since that day
Zivko has never completely
gotten away from the
little jets. He worked
with Bobby Bishop for
years maintaining his
airshow 5J and today still
works with Leo
Loudenslager on the Bud
Lite Airforce's little
kero-burner.
Bill
wound up back in Wisconsin
after the demise of the
Bede project, but several
years later received a
phone call from another
Bede alumnus, Burt Rutan,
who asked Zivko to come
work with him at Scaled
Composites. They were just
building up a head of
steam to begin the Beech
Starship project and Rutan
needed people who knew how
to get things done in a
shop environment. Bill
moved his family to the
high desert of Mojave and
he became shop manager for
Scaled Composites. If he
was looking for exciting
projects, he was certainly
in the right place.
Although Zivko's primary
background had originally
been in traditional
aircraft materials, he was
little by little moving
deeper into the
composites. By the time he
left Scaled Composites in
the mid 1980's he
recognized the advantages
of the materials and
continued working with
them in his own business.
Bill
and Judy spent a number of
years in the Oklahoma City
area before deciding to
relocate their shop into a
brand new
hangar/shop/office complex
on the Guthrie airport. At
that stage of the game
they were already going in
two directions at once,
one of which came about
from their friendship with
the late Tom Jones, a well
known aerobatic competitor
and airshow pilot. It was
through Jones they were
exposed to the ever
changing arena of
unlimited aerobatic
competition.
The
high-G world of unlimited
aerobatics was proving too
much for the Stephens/Lazer
type monoplane wings. Even
though the wood wings used
railroad-tie spars, they
were delaminating and
actually breaking. Even
with all the mods worked
into the wings by pilots
such as Leo Loudenslager,
the wing was still too
marginal. It was a safety
item they all worried
about.
Besides
being a safety item,
getting wood of high
enough quality and long
enough to make the 24 foot
spar wasn't easy and was
becoming increasingly
expensive.
Zivko
looked at the wing and
immediately saw an
application for
composites. He knew he
could build a stronger,
lighter wing and at the
same time update the
aerodynamics. The reason
he had such confidence in
himself was he had a cadre
of friends, courtesy of
his time with Scaled
Composites and other
similar projects, who were
at the forefront of
composites design and
engineering.
Using
input from pilots like
Jones and Loudenslager,
Zivko made up a list of
factors that had to be
primary design parameters.
Those at the top included
high roll rate, low stall
speed and extremely high
strength. Bill knew pilots
were pilots. They didn't
want to worry about all
that mechanical stuff.
They wanted to pull and
not worry about it. Since
10 G's wasn't unusual in
an unlimited sequence,
Bill decided his Lazer
replacement wing would
have a safety factor of
two, giving the wing a 20
G ultimate. At that number
he felt safe.
The
final design combined some
of the industry's best.
John Roncz designed a new
airfoil that would have a
low stall speed, would
corner well and have
predictable, well-behaved
characteristics at both
ends of the envelope. The
preliminary wing layout
was done by Paul Finn,
while Dave Boldenow, a
Boeing composite engineer,
did the structures. When
the prototype popped out
of the oven, Zivko loaded
it to 20 g's and found a
deflection of only a
little over four inches.
Now that's stiff!
The
production wing weights
224 pounds and is good for
20 Gs, versus the old
wooden 12 G wing that
usually weights around 250
pounds.
The
wing was first installed
on Joe Olson's Lazer with
many more following right
on the heels of that one.
Zivko Aeronautic's wing,
the Edge ZA-1 is earning a
reputation for giving the
Lazer a new lease on life.
In fact, Livko even began
custom building airframe
components for customers
who wanted their own
airplane that incorporated
the wing along with a
bunch of other
modifications engineered
by Zivko. They call their
four-cylinder airplane the
Edge 360.
Bill
and Judy looked at the
track record being
established by their wing
and decided the next
obvious move was to build
their own high performance
airplane around that wing.
They wanted an airplane
that could successfully
bump heads with Sukhois
and Extras. That meant
going to a six cylinder,
I0-540 in place of the
Lazer's 0-360. There are
lots of places in
everyone's mechanical life
where the only logical
solution for a situation
is a healthy dose of cubic
inches. Or a bigger
hammer.
By the
time Zivko Aeronautics was
getting ready to start
into their own airplane
project, they were already
a production shop which
had a client list
including names like
Tinker Air Force base, Leo
Loudenslager and a most
interesting client named
Aurora Flight Sciences.
Aurora's products were
ultra-high altitude,
unmanned aircraft which
were aimed at doing all
sorts of environmental
surveying up where manned
aircraft were nearly
useless. These aircraft
were designed to work
between 80,000 and 100,000
feet while carrying
payloads that sniffed the
atmosphere for bad stuff
or could loiter on top a
hurricane for most of its
life cycle. They measure
their loiter times in
days, not hours! The
current production
aircraft, the Perseus B
has a loiter time that can
be extended up to four
complete days. They can do
global-scale chemistry
surveys over nearly half
the earth's circumference
in one flight.
Obviously these airplanes
are special purpose and
rely on light weight and
long wings to do their
thing. And that's where
Zivko Aeronautics comes
into the picture. The huge
(59 foot) wings wouldn't
be possible without
composites and Zivko built
not only the wings, but
all composite components
including the tail and
fuselage as well.
There
are a lot of composite
fabrication companies in
the world that could build
the components, so it says
something that Zivko
aced-out many much larger
companies.
With
their moves into the big
time world of composite
engineering, a full-time
engineer, Todd Morse (his
great grandfather invented
the code), was added to
the staff along with
complete CADCAM
capabilities. All of this
experience and
capabilities were brought
to bear on their unlimited
bird, the EDGE 540.
The
heart of any aerobatic
airplane is the wing,
which in this case is
probably one of the most
carefully designed and
manufactured wings in the
country. Zivko prides
itself in quality control
and details. They go so
far as using raw materials
that each carry their own
verified certifications
which are kept on file for
each component made. Each
lay-up has its own sign-up
sheet so it can be
verified later that it was
laid-up at a given angle,
done by a specific
individual and signed off
as being correct by an
inspector. Every single
step from the
manufacturing of the raw
materials to the final
paint coat is carefully
documented and inspected.
The
skin itself is glass with
a foam core stabilizing
the skin. The ribs are
Nomex filled, carbon fibre
layups and the spars are
mostly carbon fibre. The
layups are done in a clean
room that doubles as a
paint booth and curing is
done in Zivko's own 26
foot long oven.
The
fuselage is relatively
traditional, having
evolved from the Lazer
with careful attention
paid to those areas where
several decades of
competition have revealed
weak points. This is
another area in which
Zivko took advantage of
those experts who know
what works and what
doesn't. They carefully
documented the histories
of performers and
competitors who are flying
similar types of tubing
structures and noted where
they were having problems.
Then they sat down with
their own computers and
proceeded to design an
entirely new fuselage
which hopefully eliminated
all those problems.
Although the fuselage
looks to be a Lazer
derivative, it is actually
a completely new, computer
designed structure.
Next in
their development program
will be replacing the
wire-braced empennage with
a completely composite
unit.
Weight,
weight and weight are the
first three factors
constantly nagging at the
mind of any aerobatic
designer. Lowering the
weight is the same as
gaining free horsepower
and in competition, every
ounce counts. In the case
of the Edge 540, the quest
for ever-lower weight
brought composites into
play in many areas other
than primary structures.
Practically every external
fairing which would
normally be made of
aluminium is carbon fibre.
This includes the turtle
deck, canopy frame and
even the instrument panel.
The cowling, complete with
nose bowl and all
fasteners barely weights
12 pounds which shows the
concept does work.
The
super slick and tight
fitting canopy frame
doesn't have a bolt or
screw showing because the
canopy, as well as all
Plexiglas panels, is all
bonded in place rather
than being bolted. This
makes for light, rigid
installations that can be
replaced by simply sanding
the back of the mounting
flange away and bonding in
a new piece.
The
engine in the EDGE 540 we
flew was powered by a
mildly tuned Monte
Barrett, parallel valve
IO-540 pushing about 310
hp (dyno verified) into
the air via an MT
three-blade. In the Edge
540 kits or finished
aircraft, the propeller of
choice would be a
three-blade, composite
Hartzell.
The net
result of all their
attention to detail is an
unlimited aerobatic
airplane with a 20 G wing
that, in the case of the
example we flew, barely
weights 1170 pounds. With
a normal aerobatic weight
of 1527 pounds, that puts
the power loading at under
5 lbs/hp. No wonder it is
such a rocketship!
The
price of a complete kit,
minus the usual engine and
all other kit stuff that
isn't usually included, is
$57,052, which includes
every single option
including having the wing
pre-mounted to the
fuselage and all tubing
finished, painted and
pre-oiled. This also
includes the wing tank
option that gives an
additional 33 gallons over
the 19 gallons in the
fuselage tank. Zivko
stresses that even though
they've done much of the
work there is still a fair
amount of work to be done
by a builder. They view
their kit as being half
way between a plans-built
airplane and a true,
ready-to-assemble kit.
Incidentally, of the total
price, $18,995 is for the
basic wing which can also
be fitted to your old
Lazer fuselage, should you
have an extra one laying
around.
Mark
Pfiefler, an airshow
performer and professional
pilot from the Oklahoma
City area not only loaned
us his airplane for the
pilot report, but did the
flying during the photo
session. He showed a
tremendous amount of
patience and self control
in hiding his apprehension
at having someone else fly
his "baby", although those
watching during the flight
said he was pacing the
ramp like an expectant
father. Can't say as we
blame him.
A
walk-around on the
airplane shows the
standard stuff expected of
an unlimited airplane
except you seldom see it
done this well. The gaps
at the back of the canopy
combing, for instance,
couldn't have been .025"
and were absolutely even
from one end to the other.
Ditto the cowling or
anywhere else anything
came together. The turtle
deck combing flowed down
around the vertical fin
and was finished with a
neatly detailed little
window that put the
elevator horn in full view
for pre-flighting. A nice
touch!
Saddling up, it became
immediately obvious Mark
had the cockpit tailored
just for him and he is
mostly legs. Long ones!
Bill Zivko had to get in
there with one of his guys
and adjust the rudder
pedals back so I could
come even close to getting
full rudder.
Locking
the canopy down, I cranked
the engine, paying
particular attention to
Mark's directions for a
hot start. The big
Lycoming caught on the
third time around and
showed no indication of
stumbling when the mixture
went in.
The
Haig locking tailwheel was
controlled by a plastic
coated cable stretched
back from the vertical
piece of tubing just under
the throttle. Hook a
finger around the cable
and pull and the tailwheel
was full swivelling. Leave
the cable alone and the
wheel was locked straight
forward. It was a nice,
fool proof arrangement,
although I still prefer
steerable tailwheels.
As I
lined up on the runway
centreline, I was pleased
to see I could see. Unless
you've flown some of the
mid-wing monoplanes with
the low canopies you don't
realize how blind the
pilot is. The wing usually
covers most of the
pavement. The Zivko 540 is
a long ways from being a
C-172 in the visibility
department, but it's not
nearly as blind as some of
the other unlimited. I had
enough of the 75 foot wide
Guthrie runway in sight I
relaxed. Until that point
I had been really worried
about the landing. Now I
was only apprehensive.
The
takeoff wasn't so much a
takeoff as it was a cat
shot off a concrete deck.
One second I was beginning
to move the throttle and
the next I was clocking
100 knots and going up at
an angle that has to be
seen to be believed.
Everything about the
experience was immediate.
The engine spooled up the
instant the throttle moved
and the airplane reacted
just as instantaneously.
Left hand moving forward,
airplane moving easily
twice that fast, runway
flashing past, brain
telling my right hand to
be gentle in bringing the
tail up and the long hand
on the altimeter started
flashing in a circle.
By the
time we were off the
ground and I glanced
inside, the airspeed was
blasting past 110 knots
and it was all I could do
to keep it down to 120.
Actually, I was well out
of the pattern before I
realized the airspeed was
in knots, not mph,
otherwise I would have
pulled the nose into an
even more ridiculously
steep attitude to keep it
down. As it was, I timed
the rate of descent at
something over 3,500 fpm.
Now that calls for
exclamation marks!
The
instant the gear left the
ground I could feel the
ailerons in my hand. I
don't mean I could feel
the airplane moving, I
mean I felt the ailerons,
as if their trailing edges
were nested in my palm and
I could sense their
tiniest movement and the
airplane instantly
reacted. This is not an
airplane for those of
heavy hand. But, even at
that early stage I could
tell the stick ratio was
long enough the airplane
didn't feel twitchy.
As
quickly as the airplane
responds to a control
input of any kind it would
have been easy for the
airplane to have been like
trying to balance on a
bongo board (those things
where you try to stand on
a board balanced on a
roller). The stick ratios
eliminate that feeling
almost completely. Al
though the perceived
pressures might as well be
zero, they are so light,
the stick has to move far
enough that the pilot has
total control and is able
to really fine tune his
movements.
It also
didn't have any breakout
forces to speak of, in any
direction. In fact, a
minute or so later when
levelling out at 4,000
feet, I was treated to a
unique control feel. It
was unique because all
stick force gradients were
perfectly flat. Perfectly
flat. The forces in any
direction didn't seem to
change at all regardless
of how far I displaced the
stick. In pulling "G", the
stick force felt the same
all the way through. The
pressure at full aileron
deflection was the same as
barely starting a turn.
The pressures also didn't
change with speed.
It was
hard to get full aileron
deflection because the
airplane whipped around so
fast, that by the time you
could get the stick up
against a knee the
airplane would already be
right side up. The roll
rate has been timed at 420
degrees, which is enough
to blur the horizon. This
is especially true in
doing vertical rolls. I've
never been especially good
in the vertical, but it
goes around so fast you're
into the second one before
you know you've come close
to finishing the first
one.
Does it
stop while rolling? On my
first vertical I thought
I'd do a quick half roll
to see how it felt. Blur!
Twitch the stick back the
other way to stop and my
head bumped the side of
the canopy as the airplane
slammed to a halt. Crisp
is hardly the word for it!
A lot
of airplanes that have
light control pressures in
pitch will be asymmetric
in their behaviour.
They'll be light when
positive but it takes a
healthy arm to get much
negative G on the
airplane. This is
absolutely not the case
with the Edge, it comes as
close to being the same
outside as inside as any
I've seen. It takes a
little more arm, but only
a little and just a touch
of trim lets it fly hands
off inverted. This made
manoeuvres like rolling
360's a whole lot less
work.
The way
the airplane handled when
slow is at least as
impressive as how it
handled the fast stuff.
Pulling out of the tops of
verticals, I was being
ginger, just letting it
zero G its way over. The
big engine let me do
anything at that point
because I was purely
ballistic, just a
passenger behind a
whirling MT. At one point
I bought the power back
while pulling over the top
at zero speed waiting to
see what it would do. It
didn't do anything. It
kept on pulling. At least
twice I found myself
messing around at speeds
around 30 mph, full back
stick and still flying
around the corner because
I was low on G. Then I got
down just over stall and
honked into a hard corner
trying to stall it. It
would buffet a little but
not do anything unusual.
Then I'd unload, hit the
power and go shooting
straight ahead like out of
a sling shot. Coming out
of a slow speed situation,
it acts as if it has JATO
bottles.
Incidentally, a couple of
times I played with the
power while going vertical
down hill to see what the
prop would do. I pulled
the power all the way back
and even though I was
pointed straight down, the
prop would flatten out,
airplane would slow down
and I'd slide forward into
the straps. Later, while
shooting landings, I got a
kick out of the way the
big prop acted like a
spoiler. Just a touch of
power would keep the
blades from flattening
out, but pull the power
and it acted like drag
chute.
The
first flight of any
airplane is a tentative
meeting of friends, you
circle around one another
trying to figure out the
best approach. That's why
a second meeting is always
a must. You've had time to
think about the first
meeting and you've got all
sorts of ideas about the
second. Unfortunately, I
only had time for one
flight in the EDGE 540
which is no way to judge
an unlimited aerobatic
airplane. Assuming, that
is, I was capable of
judging it in the first
place, which I'm not. I
doubt if there are 25
pilots in the entire world
capable of truly saying
how well the airplane
stacks up against the
unlimited hot dogs and I'm
not one of them.
Judging
from the tapes I've seen
of Kirby Chambless flying
his Edge 540 at Fond du
Lac, there seems to be
little doubt the airplane
can do some amazing stuff,
including hovering at zero
airspeed.
It
would be nice to see
something like the Edge
make a serious mark for
itself. It's American born
and bred and comes out of
a small shop tended to by
loving hands. In a wildly
three-dimensional sort of
way, the Edge 540 and
Zivko Aeronautics
represent the best of the
American spirit. Get an
idea and make it happen!
And that's exactly what
the Zivkos are doing.